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Ken
04 May 2012 @ 03:17 pm
My dark, urban fantasy story "Confinement" is now available on SQ Mag.

It's more graphic and disturbing than is my usual wont. Not for kiddies.

After reading, you might want to study this image, which I first saw in 1995:

 
 
Current Location: Teatime
Current Mood: cheerfulcheerful
Current Music: Children's muffled conversation
 
 
Ken
13 February 2012 @ 10:07 pm
Here's my schedule for the upcoming Boskone 49 at the Boston Westin Waterfront, Feb 17-19:

Panel: SF/F/H in the Classroom, Fri 18:00 - 19:00, Griffin
B.A. Chepaitis, F. Brett Cox, Jack M. Haringa (M), Kenneth Schneyer
Description: Kids today don't have to hide their SF book in class. It is their class. How are science fiction, fantasy, and horror taught in a typical course today? What do the teachers know that we fans don't, or vice versa? What works work best in the classroom? Does studying the stuff in school recruit lifelong speculative fiction readers, or drive them away in droves?

Panel: A Study of the Humours -- Medieval Medicine, Fri 19:00 - 20:00, Harbor II
Elaine Isaak, James D. Macdonald, Laurie Mann (M), Darlene Marshall, Kenneth Schneyer
Description: For thousands of years, learned doctors insisted that health and illness was governed by "the four humours". A look at how old ideas persisted and how they led to odd treatments like bleedings.

Panel: Medical Myths and Errors in SF/F, Sat 10:00 - 11:00, Burroughs (Westin
Christopher Kovacs, Susan MacDonald, Kenneth Schneyer (M)
Description: A look at common mistakes about medicine that writers make in their fiction.

Reading: Kenneth Schneyer, Sat 15:30 - 16:00, Independence.
(I intend to read from my story "The Age of Three Stars", which will just have gone live on Daily Science Fiction the previous day.)

Reading: Flash Fiction from the Cambridge SF Workshop, Sun 11:00 - 12:00, Lewis
F. Brett Cox, Elaine Isaak, Alexander Jablokov, James Patrick Kelly, Steven Popkes, Kenneth Schneyer
(This reading was very well attended at Boskone 48, and so far has been a lot of fun for both the author/readers and the audience.)
 
 
Current Location: Way south of Boston
Current Mood: calmcalm
Current Music: Ringing in my ears...
 
 
Ken
09 February 2012 @ 05:53 pm
Subscribers to Daily Science Fiction will receive a copy of my middle-aged fantasy story "The Age of Three Stars" in their e-mail tomorrow.

Non-subscribers will have to wait a week... Or, you could subscribe! ;)
 
 
Current Location: Starbucks, Lincoln, RI
Current Mood: happyhappy
Current Music: Inception
 
 
Ken
01 January 2012 @ 07:16 pm
Here are my five short stories that are eligible for the Nebula Award this year. Three of them are currently available for free online, and the other two have been posted to the appropriate SFWA forums.

 
 
Current Location: Upstairs
Current Music: "Inception" sound track
 
 
Ken
24 December 2011 @ 08:04 pm
Here's my schedule for Arisia, January 13-16, 2012 at the Westin Boston Waterfront Hotel.

Schools for Magicians
Fri 5:30 PM (Douglas) – Cecilia Tan (mod), Charlene Brusso, Victoria Janssen, Bob Kuhn, Kenneth Schneyer
A Hogwarts degree isn't the only path from mundanity to magehood. Let's consider how writers have portrayed schools, including Roke, Unseen University, Brakebills, and more. Why a school setting? Is it due to the innate familiarity for both reader and writer? Having a built-in rationale for info-dumps? How do these fantastical academies compare to SF's schools for space cadets. As we look outside of Harry Potter, we'll examine the continue fascination with such sorcerous scholastic settings.

Reading
Fri 10:00 PM (Quincy)
Authors Suzanne Palmer, Sarah Smith, and Kenneth Schneyer will read selections from their works.

Can You Like Literary SF Without Being a Snob?
Sat 10:00 AM (Douglas) -- Kenneth Schneyer (mod), Grant Carrington, John Bowker, Suzanne Reynolds-Alpert, Andrea Hairston.
From George Orwell and Aldous Huxley, through Thomas Pynchon and Margaret Atwood, to China Mieville, Gary Shteyngart, and Michael Chabon, authors of "serious" or "literary" fiction have used fantastic elements to tell their stories. Is it possible to like their writing, and the more popular forms of science fiction such as Dr. Who novelizations or superhero comics? How do we understand a genre like science fiction which combines both kinds of works?

Use Your Words: Dialogoue, Prose, and Tone
Sun 2:30 PM (Lewis) – Joy Marchand (mod), Debra Doyle, Resa Nelson, Catt Kingsgrave-Ernstein, Kenneth Schneyer
It's been said that the purpose of dialogue is to move the plot forward. How do you do that effectively? How does choice of prose change the reader's take on the setting and the story? If you have a specific tone in mind--light and humorous or dark and full of angst--how can that be conveyed effectively through your dialogue and prose? Our panelists discuss the methods and mechanics for constructing effective dialogue and prose to help set the tone of your story.

"But that's not science fiction, is it?”
Sun 5:30 (Griffin) PM
Jeff Hecht (mod), James L. Cambias, Myke Cole, Kenneth Schneyer
Yesterday's science fiction becomes today's science fact (except for flying cars, of course). But with the pace of innovation accelerating, it's possible for plots to be passe by the time they make it through the publication pipeline. What are some examples where even the newest sci-fi reads like a period piece? What are sci-fi authors to do?

Making Politics Work in Fiction
Sun 7:00 PM (Griffin) – Kenneth Schneyer (mod), Phoebe Wray, Michael A. Ventrella, Leah Cypess, Kimberley Long-Ewing
Real world political narratives are filled with cultural revolutions, passionate speeches about social change, war, and intricate, Machievellian plots. How can you portray them convincingly in your story? From noble houses in fantasy worlds to galaxy-spanning empires in SF, how do you make them believable and engaging without burying your reader in the intricacies of your setting's political theory?
 
 
Current Location: Night
Current Mood: curiouscurious
Current Music: LCD Sound System, "I Can Change"
 
 
Ken
24 December 2011 @ 03:49 pm
You can read my weird little story "The Mannequin's Itch" for free on The Pedestal Magazine. There's also an MP3 of me reading the story aloud.

This is one of the stories I wrote pursuant to my Kickstarter project in 2010.
 
 
Current Location: Upstairs
Current Mood: pleasedpleased
Current Music: Xmas music, of course!
 
 
Ken
17 December 2011 @ 10:09 am
Here are my answers to the Weird Questionnaire translated and posted by Edward Gauvin on the VanderMeers' Weird Fiction Review:

Éric Poindron’s Étrange Questionnaire

1 – Write the first sentence of a novel, short story, or book of the weird yet to be written.
The potatoes were finally going to take their revenge.

2 – Without looking at your watch: what time is it?
9:30.

3 – Look at your watch. What time is it?
9:24

4 – How do you explain this — or these — discrepancy(ies) in time?
There are no discrepancies. When I say what time it is, the ether adjusts itself to accommodate me.

5 – Do you believe in meteorological predictions?
The skies! Look to the skies! They come as they were foretold!

6 – Do you believe in astrological predictions?
No.

7 – Do you gaze at the sky and stars by night?
Oh, yes. Oh, yes.

8 – What do you think of the sky and stars by night?
Forever and forever and so far away and years beyond counting and imagination never fulfilled and yearning to touch what cannot even be approached.

9 – What were you looking at before starting this questionnaire?
An opaque e-mail from Edward Gauvin.

10 – What do cathedrals, churches, mosques, shrines, synagogues, and other religious monuments inspire in you?
Ambition.

11 – What would you have “seen” if you’d been blind?
The hairs on her arm, the curve of her ear, her pulse.

12 – What would you want to see if you were blind?
The sunnnnnnnnnn!

13 – Are you afraid?
Always.

14 – What of?
Defeat. Weakness. Inattentiveness. The burned bridge.

15 – What is the last weird film you’ve seen?
Inception.

16 – Whom are you afraid of?
Anyone who has any power over me -- basically, everyone.

17 – Have you ever been lost?
Where are we?

18 – Do you believe in ghosts?
No, I only wish for them.

19 – What is a ghost?
Reassurance of what's next. Reconnection with what is lost. Comfort.

20 – At this very moment, what sound(s) can you here, apart from the computer?
Dog barking in the distance. As always, the ringing in my ears.

21 – What is the most terrifying sound you’ve ever heard – for example, “the night was like the cry of a wolf”?
Wind in tornado season.

22 – Have you done something weird today or in the last few days?
"Except my life, except my life, except my life."

23 – Have you ever been to confession?
My grandparents would rise out of their graves to stop me.

24 – You’re at confession, so confess the unspeakable.
No.

25 –Without cheating: what is a “cabinet of curiosities”?
A book full of stories I wish I'd written.

26 –Do you believe in redemption?
I haven't killed myself, so yes.

27 – Have you dreamed tonight?
No.

28 – Do you remember your dreams?
Rarely.

29 – What was your last dream?
Someone had shot and killed my best friend. I was at the funeral.

30 – What does fog make you think of?
The soccer field in 7th grade.

31 – Do you believe in animals that don’t exist?
What?

32 – What do you see on the walls of the room where you are?
A rubbing of a medieval dragon. My Clarion class. Arek's painting. Marta's lovely watercolor of Counting to Five Thousand

33 – If you became a magician, what would be the first thing you’d do?
Start a rabbit farm?

34 – What is a madman?
Either a pitiful, dysfunctional wreck, a poet, or a prophet, sometimes all three. Often only the wreck.

35 – Are you mad?
"We're all mad here. I'm mad. You're mad."

36 – Do you believe in the existence of secret societies?
Almost joined one.

37 – What was the last weird book you read?
See #25.

38 – Would you like to live in a castle?
Not for too long. Drafty.

39 – Have you seen something weird today?
My cat's feet.

40 – What is the weirdest film you’ve ever seen?
Wild in the Streets.

41 – Would you like to live in an abandoned train station?
No.

42 – Can you see the future?
Sometimes I can't even see the present.

43 – Have you considered living abroad?
Yes.

44 – Where?
Sienna. Bergen. Bruges. Galway. Conwy. London. Edinburgh.

45 – Why?
To be somewhere else is to be someone else.

46 – What is the weirdest film you’ve ever owned?
None come to mind.

47 – Would you [have?] liked to have lived in a vicarage?
Hard to answer any question in the past-perfect, really…

48 – What is the weirdest book you’ve ever read?
Really am getting sick of these requests for superlatives. What's the bluest paint you ever used? What's the twinkliest star you ever saw? What's the itchiest mosquito bite you ever had?

49 – Which do you like better, globes or hourglasses?
And one more. And one more. And one more. And one more. And one more.

50 – Which do you like better, antique magnifying glasses or bladed weapons?
Ahh, so that's what it is.

51 – What, in all likelihood, lies in the depths of Loch Ness?
Very deep, very dark water.

52 – Do you like taxidermied animals?
They make me sad.

53 – Do you like walking in the rain?
No.

54 – What goes on in tunnels?
"What we do in dungeons needs the shades of day."

55 – What do you look at when you look away from this questionnaire?
Mira's phone number.

56 – What does this famous line inspire in you: “And when he had crossed the bridge, the phantoms came to meet him.”?
"…hoping to sell him insurance."

57 – Without cheating: where is that famous line from?
Sorry.

58 – Do you like walking in graveyards or the woods by night?
I like walking in graveyards whenever I can. Walking in the woods at night is a good way to break your ankle.

58 – Write the last line of a novel, short story, or book of the weird yet to be written.
It will never heal, and if it does, I will tear it off.

59 – Without looking at your watch: what time is it?
10:00

60 – Look at your watch. What time is it?
9:57
 
 
Current Location: Up
Current Mood: coldcold
Current Music: Jupter movement of "The Planets."
 
 
Ken



Two pieces of publishing-related news:


  1. My hypertext story "Neural Net" is now available on Ideomancer. Unlike most hypertext stories I've seen, I'm convinced that this one couldn't have been told any other way except through hypertext. I must say, it gives me an appreciation of Woolf/Joyce/Faulkner that I never had before... WARNING: This story is NSFW & definitely not for kids. Rated at least R, maybe NC-17, for sex, disturbing imagery and foul language.

  2. Scott Andrews at Beneath Ceaseless Skies just bought my novelette "Serkers and Sleep". Needless to say, given the market, this is secondary-world adventure fantasy. Look for it in April or thereabouts. This story had the benefit of all three of my crit groups -- Writer's Crucible, the Clarion 2009 Crit Group, and CSFW -- and I owe many thanks to all 15-20 people who helped me with it.
 
 
Current Location: home
Current Music: "Anvil of Krom"
 
 
Ken
23 November 2011 @ 09:00 pm
This was fun. I fed some of my stories into a text-analysis bot.

When I fed it "Keeping Tabs", currently on Abyss & Apex:


I write like
William Gibson

I Write Like by Mémoires, journal software. Analyze your writing!




When I fed it "Tortoise Parliament", which is in First Contact: Digital Science Fiction Anthology 1:


I write like
H. P. Lovecraft

I Write Like by Mémoires, journal software. Analyze your writing!




And when I fed it"The Age of Three Stars", soon to appear on Daily Science Fiction:

I write like
Stephen King

I Write Like by Mémoires, journal software. Analyze your writing!


 
 
Current Location: Home
Current Mood: gigglygiggly
Current Music: Nova
 
 
Ken
23 November 2011 @ 10:08 am
I'm on the left, and I'll admit that it's easier for me to get annoyed at mistaken or dishonest reasoning from people I disagree with. I'm more likely to yell at the screen when it's Bill O'Reilly than when it's Chris Matthews. It's a character flaw. But sometimes even the arguments on my own side are so bad that I can't sit still for them.

That happened yesterday, when I saw a video juxtaposing U.S. criticism of the treatment of protesters in the Middle East to actual treatment of Occupy movement protesters in the U.S. The video accused -- well, someone; it wasn't clear whom -- of "hypocrisy."

There are so many things wrong with this argument (if it is an argument) that I hardly know where to start. I just sat there with my mouth hanging open. But let me try to break the analysis into steps:

1. Obama ≠ UCDavis Campus Police.
The videos juxtapose official statements by President Obama and Secretary Clinton decrying the denial of the rights of protesters in Libya, Egypt, Syria etc., on the one hand, with images of law enforcement denying speech rights (to some extent, anyway) to protesters in the U.S. The reason this doesn't work as a demonstration of hypocrisy is that we're talking about two different sets of people. Hypocrisy means holding or acting on two contradictory views. Most often it is used to refer to one person saying one thing while doing its opposite. But no one has suggested that Obama or Clinton approve of the actions of the NYPD or the UCDavis Campus Police. Nor can we say, "Well, the government is hypocritical", because we're talking about two different governments -- the federal government , which is what Obama and Clinton work for, hasn't been involved in any of the actions against OWS protesters and, so far as I know, doesn't approve of those actions. Nor can we say something as nebulous as "The U.S. is hypocritical," because I don't think the contradictory views described represent the views of a majority (or even a major plurality) of Americans. You can't say that A is a hypocrite for doing what B condemns.

2. Pepper Spray ≠ Bullets.
While I detest what has been done to some Occupy protesters in some cities by some police forces (not the majority of the protesters, and not in the majority of cities), I don't think it's fair to compare that sort of police brutality to the premeditated murder of protesters by governments in Syria and Libya. One could easily condemn the latter without condemning the former, without any fear of being a hypocrite. I hate both forms of official action, but to treat them as the same thing is irresponsible.

3. Location ≠ Message.
In Egypt, Libya, Iran, Syria, the government acted to stop protesters from delivering their message at all. In the case of OWS, for the most part the government officials have repeatedly indicated that the protesters have a right to deliver their message, and not infrequently have expressed outright agreement with that message. The objection has been to the time and place where the message is delivered -- failures to get permits, failures to recognize the rights of others to use the space, etc. In the majority of cases the protesters would have encountered no official sanctions at all had they moved their protest to a different location each day, making arrangements to do so in advance. Again, you may reasonably object to those restrictions (I think I object to them), but it is silly to compare them to the action of stopping any expression of disagreement with the government.

4. Camping ≠ Speaking.
Most of the actions taken against Occupy protesters have been against the campsites that have been set up on public land, not to the delivery of the message. Again, I don't particularly like actions against the campsites, and I kinda wish they'd been allowed to stay, but it is simply wrong to say that stopping someone from camping in a public place is the same thing as stopping them from speaking in that public place. I know of no message that can be delivered only by camping out.

5. Bank of America ≠ Gaddafi
I agree with the Occupy movement that corporations have too much power in American politics, and that the wealthiest and most powerful are benefiting at the expense of the majority. It is something worthy of protest. However, it is dangerous to compare that issue with what protesters in the Middle East were up against -- autocratic, theocratic or oligarchic regimes which had been in power for 30+ years without any real ability for their opponents to challenge them, because opponents were imprisoned or killed. In the U.S. (and I don't mean to be self-congratulatory here), the political party in charge of the Executive Branch has changed five times since 1975, and the Houses of Congress have changed hands several times in that same period. You may argue, Ralph Nader style, that this isn't really a change because there is no real distinction between the two parties because they are both beholden to corporate interests, and to an extent that is true. But to imagine that a McCain Administration would have behaved the same way the Obama Administration has behaved with regard to corporate interests, or that a Gore Administration would have behaved the same way as the Bush Administration on, say, environmental policy or Iraq, is absurd. A protest movement in the U.S. is trying to change the outcome of the next election in order to get better policies in place -- the protest movement in Libya was trying to get any elections at all.

For all these reasons, the video and attendant arguments charging Obama, Clinton or anybody with hypocrisy in this context are badly mistaken.

Meanwhile, I hope that the Occupy movement is successful in its attempts to change American policy concerning corporate power.

 
 
Current Location: Rain
Current Music: Church bells