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Ken
12 January 2017 @ 11:37 pm


Here's my schedule for Arisia, January 13-16, Westin Boston Waterfront. Hope to see many of you there!


Friday, 8:30 PM
Reading: Greer Gilman & Kenneth Schneyer - Writing, Reading - 1hr 15min - Hale (3W)

Saturday, 1:00 PM
In Praise of Unlikeable Characters - Literature, Panel - 1hr 15min - Marina 1 (2E)

Bring us your curmudgeons, your cantankerous jerks, your deliberately unlikeable characters of all genders without which the plot might not move so smoothly. Someone’s got to do the dirty work, after all. Let’s talk about our favorite unlikeable characters in genre fiction, and the purposes they serve
Gillian Daniels (m), Maya Garcia, Lorrie Kim, Ken Schneyer, Sonya Taaffe

Sunday, 10:00 AM
How to Self-Edit That Steaming Hot Pile of Crap - Writing, Panel - 1hr 15min - Adams (3W)

Have you ever gone back to edit your story, only to ask “Who wrote this $#!t?” Can you fix it? Where do you start? Our experts will teach you how to identify which elements you wish to save, how to spot plotting and pacing issues, why adverbs are so bad, and what tools are available to make self-editing easier. Bring a butcher knife...it’s time to conduct surgery on your baby...
Trisha Wooldridge (m), Jacqui B., Alexander Jablokov, Matthew Kressel, Ken Schneyer

Sunday,   7:00 PM
Grounding Your Audience in a Sensory World - Writing, Panel - 1hr 15min - Douglas (3W)

The five senses are appallingly underrepresented in modern fiction. Without sensory information, it’s difficult to grab your audience and drag them into your protagonist’s body. How do you portray senses other than sight? Can you use it to portray emotion? Where can you scrounge up alternatives for the words see, hear, feel, taste and smell, or ‘sixth sense’ (psychic intuition)? Come learn how to describe your world in all of its glorious, sensory detail.
Ken Schneyer (m), Ruthanna Emrys, Greer Gilman, Keffy R.M. Kehril, Sonya Taaffe


Monday, 10:00 AM
Imaginary Friends: Crafting Memorable Characters - Writing, Panel - 1hr 15min - Marina 3 (2E)

Even the most gripping plot will fail if you don’t have memorable characters. How do you create a sympathetic protagonist? How much backstory should you give them? How do you develop interesting supporting characters to accompany them on their journey? There are many ‘tricks’ you can use to flesh out characters, as well as ways to juggle multiple character viewpoints. Come learn how to write characters so realistic your audience will be talking about them long after they finish your story.
Ken Schneyer (m), Michael Bailey, Justine Graykin, Elaine Isaak, Felicitas Ivey
 
 
Current Location: Not Boston Yet
Current Mood: happyhappy
Current Music: Inception Score
 
 
Ken
29 December 2016 @ 11:47 am
Because my ability to edit my Writertopia page seems to have vanished, I am now "transferring my flag," as it were, to LJ.  From now on, my bibliography will appear here (until and unless I get a web site of my own):

Collections:

Short Fiction:

Nonfiction:

 
 
Current Location: Home, home, home
Current Mood: satisfiedsatisfied
Current Music: Vacuum cleaner downstairs
 
 
Ken
03 August 2016 @ 12:40 pm
I will be attending MidAmericaCon II in Kansas City, August 17-21: my first Worldcon ever!  I'm very excited.

Here's my schedule:

Whose DNA is it?
Thursday, 1:00 p.m., Room 2206
Helen Pennington (moderator), Marguerite Kenner, Howard Rosenblat, Kenneth Schneyer
Panelists discuss DNA and your privacy, from a legal perspective. What can be done with your DNA without your permission, and what is your recourse if you discover it has been used?

Debut Author Showcase
Thursday, 4:00 p.m., Room 2208
Kenneth Schneyer (moderator), Martin Shoemaker, Becky Chambers, Chelsea Mueller, Nick Wood, Adam Rakunas
Authors whose first published works have either just happened or are about to occur talk about their first sales, whether their perceptions of themselves as authors has changed, and what their next steps are as they break into publishing.

50 Years of Star Trek, Part Two: The Influence
Friday, 4:00 p.m., Room 3501H
Matthew S. Rotunda (moderator), Toni L. P. Kelner, Stepfan Rudnicki, Kenneth Schneyer, John Tibbetts
Star Trek is fifty years old. It has inspired writers to write, children to become scientists, scientists to become astronauts and fans to write erotica. It has an enormous influence and in this session we take a look at the myriad of ways it has done so for a disparate group of people around the world.

Replacing Copyright
Saturday, 4:00 p.m., Room 2208
John R. Douglas, Matthew Johnson, Kenneth Schneyer
Many believe that the current copyright regime does not fit well with current technologies, audience priorities, or artistic practices. If copyright were to be replaced with a different system that had the goal of providing compensation for artists with a better fit for the contemporary world, what would it be like? What would be its boundaries, parameters, and assumptions?

Magazine Group Reading: Lightspeed Magazine
Saturday, 5:00 p.m., Room 2202
John Joseph Adams (moderator), Sarah Pinsker, Kenneth Schneyer, Carrie Vaughn, Carolyn M. Yoachim, John Chu
Our Magazine Group Reading Series continues with a special group reading that features authors from Lightspeed Magazine.

Fanfiction Myths
Sunday, 12:00 noon, Room 2206
Elise Matthesen (moderator), Elaine Stiles, Kenneth Schneyer, Leo d'Entremont, Susan Eisenhour
Members of fanfiction communities are regularly faced with a litany of myths about themselves and their work. They are assumed to be heterosexual, white females who can't get any sex but desperately want it, and their work nothing but terribly written pornography. These myths and more will be discussed and beaten down. Whether you are new to fanfiction, or want to share some joy with your community, come and join us.

Time Travel and the Search for Redemption
Sunday, 1:00 p.m., Room 3501D
Kenneth Schneyer (moderator), Rosemary Claire Smith, Jason Heller, Jack McDevitt
Much of literature involves characters’ fraught relationship with the past. They are haunted by memories or spend their lives regretting a single horrible decision.  Time travel permits the character to confront the past directly, to make literal what in mainstream fiction is only metaphorical. Join us as we discuss stories where time travel is a metaphor or device for witnessing and learning about the past or wishing to correct personal flaws and errors.

I also plan to attend the SFWA Business Meeting (Saturday 11:00) and the Hugo Awards (Saturday 8 p.m.).  I'm not sure yet of my other plans, but I arrive Wednesday night and I'll probably leave mid-afternoon on Sunday.
 
 
Current Location: Home
Current Mood: excitedexcited
Current Music: Lawn Trimmer
 
 
Ken
My strange little story "Some Pebbles in the Palm" is now available in both text and audio formats on Lightspeed Magazine.

http://www.lightspeedmagazine.com/fiction/some-pebbles-in-the-palm/
 
 
Current Location: Home
Current Mood: happyhappy
Current Music: Twilight Zone theme
 
 
Ken
03 July 2016 @ 10:25 pm
My schedule for Readercon 27, which will take place July 7-10, 2016, at the Quincy Marriott, Quincy, MA (new location):

Friday July 08

2:00 PM C Cozy Dystopia. Gili Bar-Hillel, Bart Leib, Shariann Lewitt, Kenneth Schneyer (leader), Sabrina Vourvoulias. When we think of the world of Harry Potter, what comes to mind first—the magic and childish delights of Hogwarts, with its cozy dormitories and feasts and flying lessons, or its numerous, creeping dystopian elements (even discounting Voldemort!), from the enslaved house elves to Umbridge to the Dementors, which are, frankly, the tools of a fascist state? Can we make an argument that HP is actually more like a dystopia than a fantasy? Even if we're half joking, there's still an interesting discussion here: how do these two sides of the wizarding world play off each other, and how do they compare with other dystopian YA? Maybe we need a new subgenre: Cozy Dystopia.

4:00 PM BH Integrating the Id: What Fanfic can Tell Us About Writing Sex, Sexuality, and Intimacy. Victoria Janssen, Natalie Luhrs, Kate Nepveu (leader), Kenneth Schneyer, Ann Tonsor Zeddies. Sex scenes can be difficult to do well, but when they succeed, they can be highly efficient ways to reveal aspects of character. What are some pitfalls of writing sex scenes, and can fanfic teach us how to do it well? Does a sex scene need to be explicit, and does it even need to have "sex" at all, or is the key the intensity and intimacy that we associate with sex?

5:00 PM 6 Non-Explanation in Fiction. John Chu, Scott Edelman, Kenneth Schneyer (leader), Ann Tonsor Zeddies. "Never complain, never explain," said the Lady Mendl, and "Fuck the exposition," said David Simon, "just be," but as Junot Díaz said, "Motherfuckers will read a book that's one third Elvish, but put two sentences in Spanish and they think we're taking over." What are the pleasures of writing for an audience that already gets it—and the dangers of assuming they'll understand? What can you get from reading works that don't cater specifically to you? And how can refusing to spell it out bring depth to the fantastic?


Saturday July 09

10:30 AM B Reading: Kenneth Schneyer. Kenneth Schneyer. Kenneth Schneyer reads "A Lack of Congenial Solutions"
 
 
Current Location: Home
Current Mood: Happy
Current Music: "Endeavor" in the background
 
 
Ken
24 January 2016 @ 04:00 pm
Here's my schedule for Boskone 53, February 19-21, 2016, at the Westin Boston Waterfront:

Friday, 7:00 PM, Griffin
Reading: Kenneth Schneyer. I'll be reading my short story, "Who Embodied What We Are".

Saturday, 10:00 AM, Marina 4
Theories of Time Travel
As improbable as it seems, is time travel possible? What scientific theories are out there that hint at what it might take to turn time travel into a reality? What practical issues need to be considered? What are some of the best time travel stories and how does their science hold up? Who’s doing it right? And is time travel really just science fiction?
James Cambias (M), Heather Albano, John R. Douglas, Kenneth Schneyer, Jo Walton

Saturday, 1:00 PM, Harbor III
100 Years of Relativity
Next month marks a century since Albert Einstein published his seminal work The Theory of General Relativity. It was our first clue that space bends, time warps, and black holes’ gravity sucks at both light and time. What did Einstein get right — and wrong? Do his ideas still ripple through our own time? For extra credit, panelists will reconcile general relativity with quantum theory.
Mark L. Olson (M), Janet Catherine Johnston, N.A. Ratnayake, Kenneth Schneyer


Saturday, 9:00 PM, Marina 1
Superhero Open Mic
Kapow! Live from Boskone … enjoy the knock-out stylings of our program participants and audience members who share their open mic skills in the first-ever Superhero Open Mic. Each person gives his/her best 5-minute superhero performance – story, poem, song, skit, interpretive dance, or whatever! OPTIONAL: For extra appeal, feel free to come dressed as a superhero! The Rules: Boskone members are invited to join our participants in the open mic by signing up for one of the eight open slots at the door to the event, which opens for sign-ups at 8:30 pm. Each performer is given a firm 5-minute time limit (max), including set-up time. So a quick transition between acts is key. Walter H. Hunt (Emcee), Kenneth Schneyer (Emcee), C.S.E. Cooney, Carrie Cuinn, E.C. Myers, Garth Nix, Don Pizarro, Lauren Roy, Mary Ellen Wessels

Sunday, 10:00 AM, Marina 4
Dealing With Rejection
Getting rejected is difficult. It can be hard to find the motivation to go on when you feel like you’re not gaining any headway. Our panelists share their own experiences with rejection, what kept them going, what hard truths they faced, and what changes they made to keep working.
James Patrick Kelly (M), Barry Goldblatt, Bob Kuhn, Kenneth Schneyer, Darlene Marshall

Sunday, 11:00 AM
Room: Marina 2
Cambridge Science Fiction Workshop Reading
This year is the 35th anniversary of the Cambridge Science Fiction Workshop. Come join local members for their annual reading at Boskone!
Steven Popkes (M), Sarah Smith, Heather Albano, James Cambias, Kenneth Schneyer, Alexander Jablokov

And I'm proud to announce that my son will be on a panel this year too!

Friday, 6:00 PM, Marina 2
What Kids Are REALLY Reading
This savvy panel of teenage fans shares what they’ve been reading lately. Also, find out what’s on their “To Be Read” lists, what they’re actively avoiding, and what they’re tired of trudging through. Plus … what kinds of stories do they look for when they’re browsing the booksellers?
Emma Caywood (M), Alexis Baker, Ophelia Goss, Arek Schneyer, Iris Wilde
 
 
Current Location: Home
Current Mood: chipperchipper
Current Music: Wind
 
 
Ken
I have only a few stories eligible for awards for 2015 (or, you know, for 2016, but published in 2015...), all in the Short Story category.

The one I'm singling out is "The Plausibility of Dragons", Lightspeed Magazine #66 (November 2015). There are a number of reasons that I'm foregrounding this particular story, but mostly it's because I think it does something  a little new, so that it may be slightly more deserving of attention than my other work for the year.

Other stories of mine that are eligible this year:

As always, I'm also pointing out works by others that I think are particularly worthy of attention.  Right now my mind is on the Nebulas, and so I'm only mentioning things that are eligible in Nebula categories (although obviously some of these are also eligible for Hugos, WFAs, etc.).

Please keep in mind that I don't read nearly as much as I should, and so this list (long as it is) should be taken with a grain of salt, because I know I've probably missed lots and lots of wonderful stuff.  Also, you'll notice that both of my YA (Norton Award) picks are also on my list of novels, because I've never understood why you'd exclude a YA work from the other categories.  Finally, you see that there are no novellas.  That's because, um, I haven't actually read any novellas from 2015 (hides).

Short stories:


"And Every Pebble a Soldier" by Sarah Smith (Decopunk: The Spirit of the Age)
"Bent the Wing, Dark the Cloud" by Fran Wilde (Beneath Ceaseless Skies)
"Bosphorus Dreams" by Shauna Roberts (A Quiet Shelter There)
"Bundle of Joy" by Tiffani Angus (pornokitsch.com)
"Cassandra" by Ken Liu (Clarkesworld)
"Cat Pictures Please" by Naomi Kritzer (Clarkesworld Magazine)
"Ghosts of Home" by Sam J. Miller (Lightspeed Magazine)
"Given the Advantage of the Blade" by Genevieve Valentine (Lightspeed Magazine)
"In Loco Parentis" by Andrea Phillips (Escape Pod)
"Let's Tell Stories of the Deaths of Children" by Margaret Ronald (Strange Horizons)
"Midnight Hour" by Mary Robinette Kowal (Uncanny Magazine)
"Mrs. Griffin Prepares to Commit Suicide Tonight" by A Que (Clarkesworld)
"Of Blood and Brine" by Megan E. O’Keefe (Shimmer)
"Planet Lion" by Catherynne M. Valente (Uncanny Magazine)
"So You've Decided to Adopt a Zeptonian Baby!" by David Steffen (Podcastle)
"Tea TIme" by Rachel Swirsky (Lightspeed Magazine)
"The Apartment Dweller's Bestiary" by Kij Johnson (Clarkesworld)
"The Final Voyage of the World's Oldest Time Traveler" by Tiffani Angus (Athena's Daughters vol. 2)
"When the Circus Lights Down" by Sarah Pinsker (Uncanny Magazine)
"Wooden Feathers" by Ursula Vernon (Uncanny Magazine)

Novelettes:


"And You Shall Know Her By The Trail Of Dead" by Brooke Bolander (Lightspeed)
"The Discommodious Wedding" by Cristopher Kastensmidt
"The Long Goodnight of Violet Wild" by Catherynne Valente (Clarkesworld Magazine)

Novels:

Archivist Wasp by Nicole Kornher-Stace (Small Beer Press)
Corsair by James L. Cambias (Tor Books)
Elisha Rex by E. C. Ambrose (DAW)
Emergent Behavior by Nicole M. Taylor (Epic Press)
Ice Magic Fire Magic by Shauna Roberts (Hadley Rille Books)
King Of Shards by Mathew Kressel (Arche Press)
The Grace of Kings by Ken Liu (Saga Press)
The Water Knife by Paolo Bacigalupi (Knopf)
Updraft by Fran Wilde (Tor Books)

Dramatic Presentations (Bradbury Award):

Ex Machina, dir. Alex Garland (DNA Films)
I Remember the Future, dir. Klayton Stainer (KAS Creations)
Predestination, dir. Michael Spierig & Peter Spierig,  Screen Australia (Sony Pictures)
Sense8 Episode 12: "I Can't Leave Her", dir. The Wachowskis and J. Michael Straczynski (Netflix)
The Martian, dir. Drew Goddard

Young Adult Fiction (Norton Award):

Archivist Wasp by Nicole Kornher-Stace (Small Beer Press)
Updraft by Fran Wilde (Tor Books)
 
 
Current Location: Providence, RI
Current Mood: contemplativecontemplative
Current Music: HVAC
 
 
Ken
01 January 2016 @ 06:55 pm
Here's my schedule for Arisia 2016, January 15-18, Westin Boston Waterfront Hotel:


The Future of Mars - Literature, Panel - 1hr 15min - Faneuil (3W) - Friday 8:30 p.m.
We grew up reading about Barsoom and the Mars of Wells and Bradbury. Today, we’re finally exploring the reality of the red planet. Where does our fictional treatment of Mars go from here? Do we concentrate on the real possibilities opening up? Or are there exciting and odd treatments we can imagine?
Nalin Ratnayake, John Scalzi, Jeff Hecht, Morgan Crooks, Ken Schneyer (m)

Star Trek at 50! - Media, Panel - 1hr 15min - Burroughs (3E) - Saturday 11:30 am
Fifty years ago, Gene Roddenberry introduced us to the voyages of the Starship Enterprise. Since then, the crew has boldly gone where no human had gone before in five live-action TV series, one cartoon, ten movies in the “original” universe, and two movies in rebooted universe (with a third due out this year). Join us as we celebrate one of the most iconic and important science-fiction franchises of all time.
Liz Salazar, Glenn Hauman, Lawrence M. Schoen, Woodrow Hill, Ken Schneyer, Cassandra Lease (m)

The Bible as Fantasy Literature - Literature, Panel - 1hr 15min - Marina 2 (2E) - Sunday 11:30 am
What can we gain from viewing the Bible as fantasy literature, rife with active gods, prophecies, and larger-than-life heroes, and complete with centuries of fanfic from Dante to Milton and onward? How is the Bible treated in fantasy?
B.A. Chepaitis, Matthew Kressel, Susan Weiner, N.S. Dolkart, MJ Cunniff, Ken Schneyer (m)

Everything I Say is a Lie - Writing, Panel - 1hr 15min - Hale (3W) - Sunday 4:00 pm
There are several works of fiction, both genre and mainstream, that rely on the unreliable narrator. Used to good effect, this can create an artful twist ending or have the reader second-guessing throughout the whole story. However, how does one create such a narrator? Does the viewpoint have to be first person, or can third person suffice? How do you keep readers following the path you’ve laid out without guessing the real story? A discussion on the making and use of an unreliable narrator.
Ken Altabef, Terri Bruce, Kate Nepveu, Ken Schneyer (m)

Remembering Leonard Nimoy - Media, Panel - 1hr 15min - Marina 1 (2E) - Sunday 7:00 pm
Leonard Nimoy, one of the greats, passed away in 2015. Although he remains best known for Star Trek, he had along and varied career, excelling as an an actor and a director, working as a voice actor and a photographer, and hosting documentaries. We’ll look back at his life (even his musical career), and talk about how much Nimoy meant to people both as a man and as a performer.
Keith R. A. DeCandido (m), Santiago Rivas, Sonya Taaffe, Daniel Miller, Ken Schneyer

Science Fiction Reading - Writing, Reading - 1hr 15min - Hale (3W) - Monday 10:00 am
Come listen to our panelists read a selection from their original science fiction works.
Nalin Ratnayake, Lawrence M. Schoen, John Chu, Ken Schneyer
 
 
Current Location: Upstairs
Current Mood: calmcalm
Current Music: Theme to Downton Abbey (playing downstairs)
 
 
Ken
24 November 2015 @ 09:02 am
You can now read my story "The Plausibility of Dragons" live on Lightspeed Magazine!
 
 
Current Location: Winter is coming.
Current Mood: Happy
Current Music: "Back to the Future", for some reason.
 
 
Ken
26 July 2015 @ 05:31 pm
At Readercon I had the pleasure of serving on a panel with the delightful and brilliant Nicola Griffith, author of many acclaimed novels, most recently her fascinating, award-winning book Hild (2013), about the early life of the seventh-century saint Hilda of Whitby.  It was my second time meeting her; the first was at the 2014 Nebulas, where I asked her to inscribe a copy of Hild for my wife.

There have been some interesting debates about whether Hild is really a fantasy novel rather than a straight historical novel.  Many have said, with justification, that even if there is no actual magic in the book, it still has the flavor and attack of a work of fantasy.  Genre border arguments are ultimately pointless except to advertisers and marketers, and I don't wish to add to the misguided shouting.  But I think a lot of discussions have overlooked the possibility of examining Hild not as fantasy, but as science fiction.

I realize, of course, that there are as many competing guidelines to differentiate fantasy from science fiction as there are critics, and that, again, these differentiations mostly don't matter.  (They don't ultimately matter to me either; I'm skeptical of genre boundaries, as I've said publicly -- indeed, I said it on the panel I shared with Nicola.)  But as an intellectual exercise this interests me, because I think it's easy to be distracted by the medeival setting and think that fantasy or history are our only choices.

For purposes of this essay I'm going to use the differentiating rule I devised a few years ago for a paper on the subject.  If you don't like this set of definitions, you probably won't agree with the essay.  To me:


A work of science fiction assumes that all that needs to be known can, eventually, be known through the application of human senses, human reason, and such devices as we can contrive.  By contrast, a work of fantasy assumes that there are some important things which are not fully comprehensible by human means, no matter how advanced or sophisticated we get; some things are ineffable.


This is why Star Trek, despite its handwaving, and Doctor Who, despite its handfluttering, are science fiction to me rather than fantasy -- because their waved or fluttered aspects are still assumed to be things that can be understood, if we just get smarter brains and better equipment in a few hundred or a few thousand years.  But the Harry Potter books, despite their technicality, have important topics that are marked as being essentially insoluble mysteries.  What differentiates science fiction from mainstream fiction, in this regard, is that either it takes place at a time when our ability to comprehend the world and act on it has resulted in changes in that world, or else the process of knowing and understanding the world through our senses and our reason are integral to the story itself.

It is in this latter regard that I think of Hild as a work of science fiction.  Its eponymous protagonist is taken by her contemporaries to be a seer, to have magical access to things going on beyond her immediate knowledge, and even to predict the future.  This she appears to accomplish through omens, dreams, and visions.  Because her delicate political position, her physical safety, and the safety of her friends and family depend on maintaining that role, she plays it as well as she can.

But the reader knows, as Hild herself knows, that she has no such magical abilities.  She is, instead, a keenly sensitive observer of every detail of the world around her, from the condition of the feathers on a bird's wing and the overtones in the flavor of a cup of mead to the quirks and idiosyncracies of those she meets, as well as having a firm and unsentimental grasp of the economic and political realities of her time and place.  She also possesses a ferocious intelligence, which gives her the ability to take the many details she absorbs and to build patterns from them that allow her to make shrewd probabalistic estimates of what is happening many miles away or what will happen soon.  Thus her conclusions strike everyone around her as magical, because no other person is able to arrive at them so quickly or so accurately.  In this, she resembles no other character in fiction so much as Sherlock Holmes.

Thus, Hild is about how a person navigates the world when she is so observant and intelligent that she can comprehend things far beyond the ken of those on whom her safety depends.  The process of observation and induction (what Holmes erroneously called deduction) is central to the action of the novel, and is recounted deliciously in Hild's subjective impressions.   Science fiction, which glories in the accomplishments of the mind, has many protagonists like this.  Most immediately to my mind comes Bean, the central character in Orson Scott Card's Shadow novels, but I'm sure you could come up with a dozen yourself.  Indeed, it is one of our familiar tropes (unsurprising in that many readers of science ficiton imagine themselves to be intellectually superior to those around them, and frustrated to tears at their inability to make the dullards understand).

It would be a horrible disservise to the novel to claim that Hild's abilities as an encyclopedic genius are the only interesting things about it.  It is a wonderful work of character, relationship, and hard choices, and the most immersive work about the middle ages I've ever read.  But I wanted to make this claim about SF because, as I say, I think it's been overlooked.  Hild is a science fiction hero.
 
 
Current Location: Not Northumbria
Current Mood: contemplativecontemplative
Current Music: Holst, The Planets (Jupiter movement)